Barry is an artist from Hamilton ON. He works in oils on canvas and panels, ink, pastels and watercolour on paper and the occasional sculpture. Landscape subjects dominate his body of work but it also includes still life, a large group of drawings of butterflies and some abstract compositions.
Barry was born in 1954 and grew up in Vineland Station, ON, where farming, gardening and camping established his interest in the outdoors. Drawing with his grandfather and family visits to galleries established his interest in art.
Barry studied at the University of Guelph, first in biology, then switched to Fine Art and completed his B.A. in 1978. After university Barry stayed in Guelph for several years, painting and drawing in his studio and working extensively in the outdoors near home and on trips across Canada. Painting trips are sometimes solo endeavors, with family or very often with other artists, notably fellow Guelph graduate Scott Abbott. Scott and Barry painted at the Abbotts’ cottage near Parry Sound immediately after graduation in 1978 and have repeated the experience as often as possible ever since.
While still a student, Barry started working in the university art gallery as assistant preparator, work that led to a part-time career in museum work at Guelph, the Art Gallery of Ontario, Harbourfront Gallery in Toronto, and the Prairie Gallery in Grande Prairie AB. He has lived in Hamilton with his wife Barbara and their two children since 1988.
Barry has exhibited widely in public and private galleries in Canada and received numerous awards and grants, including a month as Artist-in-Residence at Gros Morne National Park in Newfoundland.
His work is in the collections of the Art Gallery of Guelph, the Alberta Art Foundation, the Art Gallery of Newfoundland and Labrador and other public, corporate and private collections in Canada and abroad.
Barry is represented by Ingram Gallery in Toronto, Earls Court Gallery in Hamilton and Madrona Gallery in Victoria, BC.
"Being on the edge of discovery, but it only happens during the working process. For me this is most easily achieved in field work. You are in the moment and you work – no other options allowed. At some point in the chaos and indecision a sense of conviction will arise and you feel the impending discovery. Finding the balance points between the mark-making possibilities of your materials and what you want to say about your subject is a constantly evolving process. If I do it right every work ends in a solution that is in some way new and unrepeatable - that teaches me something about my materials and my subject. It’s not easy or comfortable but it is why painting is exciting. It is why painting matters."