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Artists Statements:


 “My recent work is a continuation of the exploration of visual expression about the human relationship with others and with nature. These contemporary works reflect my daily views from my balcony overlooking the Toronto skyline….Mystical shadows and lines combined with the colorful sky formations and nature inspire these works….Watery images, dark misty horizons and whimsical forms fuel the soul’s imagination…Continuing with my former themes, I have incorporated abstracted forms of women in these recent paintings.  The works are simplified, depicting three main layers of strata floating with splashes of abstracted forms found amidst the horizon lines, orchestrating the history and music of time and the ever changing environmental landscape. Many of my paintings are inspired by my travels throughout Ontario and also by the views from my studio.  The colorful landscapes and the beautiful  light of the different seasons motivate me.  I combine the abstracted landscapes with human figures. Every place I see creates a different mood and inspiration for my work.  In these works, I depict how nature and the human form are inseparable.

Artists, since time immemorial, have conveyed their message with images rather than logical, linear statements. In this series, my new works in progress attempt to portray a journey into the imaginary realms of the unconscious.  I hope that the mystical images, forms and environmental themes that are emerging in these paintings will serve as an inspiration to modern, industrialized man, who urgently needs to reconnect with his lost soul, a soul that lies languishing under the weight of our modern, cold, corporate world where profits and statistics reign supreme over the human spirit and the environment."



“My visual art style first began to take shape after training in the realism classes from the live human model at the Art Students League in New York City, where I trained from 1997 to 2002. I then began to work in the abstract painting studios, mostly under Bill Scharf, who had been the protege, studio assistant, and friend of Mark Rothko. This direct line of New York Abstract Expressionism began to meld into my figurative work with a spirit for process, experimentation, and colour exploration.

Being originally from the interior of B.C. and North Vancouver, Canada; this morphed spirit between disrupted realism and abstraction became embedded into a painterly west coast aesthetic of painting.

My paintings explore a relationship between figurative and abstraction in order to meld unconscious probing and stylistic innovation with a meditative figural base.  It is important to me that the paintings work well as collections of shape, colour, texture, and energy, while also building a compelling image. Working with people and objects from my personal world, I focus on maintaining a balance between plan and accident, known and unknown, restraint and exuberance.  My figures look out as much into mindscape as landscape.”