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Whiskey Hill

Jody Joseph Earls Court Gallery

Whiskey Hill

New Paintings by Jody Joseph

 September 8 – October 15, 2022

 Opening Reception Sat. Sept. 10, 2022   | 12 – 3 pm

  [Announcement August 11, 2022]- Earls Court Gallery is excited to present “Whiskey Hill” in Gallery starting Thursday, September 8, 2022, showcasing new paintings by Dundas artist Jody Joseph.

 Over the last few months, Jody Joseph has captured the inspiring vistas seen from Whiskey Hill, Hamilton, Ontario. She describes the new body of work:

 “Full of colour and semi-abstract, these large landscape paintings was completed over the spring and summer on a rural hilltop outside of Hamilton.  Whiskey Hill sits amid a land of rolling fields crisscrossed by roads and clumps of foliage—as well as two golf courses and the nearby Hamilton airport. 

 The vantage point in these paintings is often aerial and vast; more like the view from the occasional plane taking off and ascending overhead and higher than the hill I stood on to paint from.  Seen this way, the land becomes a complex patchwork; scale and distance change; the paintings come to contain what I see and what I can imagine beyond.”

 The paintings will be featured in the vast main gallery. All artworks will be featured online upon installation. Entry is free and family friendly.

 All are welcome to join us Saturday, September 10, 12 – 3 pm to meet artist Jody Joseph and celebrate this new collection of paintings.

 “Whiskey Hill” exhibition can be viewed in person at 215 Ottawa Street North, Hamilton. Earls Court Gallery is open Tuesday – Friday 10 am to 5 pm and Saturday 10 am to 4 pm.

About Jody Joseph

 

 

 

Jody Joseph Earls Court Gallery
 
Jody Joseph Art supplies
 

Jody Joseph was born in Chicago to Burton and Babette Joseph who were great supporters of the arts.   Joseph loved drawing, even at a young age, and that encouraged her parents to enroll her in formal studies with a local professional artist, Joan Taxay Weinger.  The young Joseph also was a frequent visitor to The Art Institute of Chicago where Monet’s Haystack paintings, Seurat’s A Sunday on La Grand Jette, Picasso’s The Old Guitarist, and especially Matisse’s Woman before an Aquarium were early fixations.  A Giacometti exhibition made a particularly strong impression on the young artist and led to an intense attachment to later Modernist painters and sculptors, including the Abstract Expressionists.  DeKooning’s great masterpiece, Excavation was, and remains, a touchstone.  Joseph still visits “her” paintings—her earliest influences-- whenever she gets to Chicago.

Like many painters, Joseph’s road took some detours—career-wise and geographic-- before she became the established Canadian-American artist, art instructor and curator she is today.  First came a short career in the law in San Francisco.  Leaving that for painting, Joseph actually joined a surprisingly long list of “lawyers turned artists” among them Cezanne, another Joseph favourite artist and influence.*  Joseph’s return to painting occurred in the 1990s when she began studies in Italy with the Italian-American Modernist painter, Nicolas Carone.   A revered teacher, Carone, had himself been a student of the great teacher of mid-century Modernists, Hans Hoffman.  Carone later a co-founded the New York Studio School, and his own school in Umbria.  Both emphasized intensive work in one’s studio and learning to work directly from nature.  Italy gave Joseph the opportunity to study with many brilliant painters, Wayne Thiebaud, Andrew Forge** and Jake Bertot among them.  In later years, Joseph was invited to establish and direct a satellite school, and then began teaching regularly in Italy herself.

Joseph’s work in Italy became the foundation of her painting and teaching.  Years outside in the Umbrian landscape made her a dedicated plein air painter and forms a large part of her practice today.  Marrying a Canadian astronomer, Doug Welch of McMaster University, brought Joseph to the Hamilton area.  The family ultimately settled in Dundas, whose century homes and tree-filled neighborhoods are frequent subjects of Joseph’s paintings. Like the painters she loves, Joseph also works in the studio, from observation and abstractly.

After a solo show at Dundas’ Carnegie Gallery in 1995, Joseph was invited to teach at the Dundas Valley School Art.  She remains a sought-after instructor there. 

Joseph has had over 30 solo exhibitions and numerous group shows, in Canada, the US and Italy.  She also has an active curatorial practice and has been the recipient of a number of grants.